http://www.nytimes.com/2013/05/19/magaz ... d=all&_r=0This is a great article on Phil's life written on the NYtimes very recently. It's long, but worth the read.
He started unfolding his napkin to draw another diagram — whereupon I stopped him, went out to my car and brought back a stack of fresh paper. I expected him to sketch maybe three or four representative schemes: the motion offense of his 1970s Knicks, the running game of the 1980s Showtime Lakers, his 1990s Bulls’ signature triangle offense, the screen-roll plays popular today. Instead, Jackson spent more than an hour and a half drawing, in great and sometimes bewildering detail, what turned out to be more than 20 sketches — a mess of circles and arrows and hash marks that represented, no doubt, an infinitesimal fraction of his total basketball knowledge. He worked, the whole time, with the joyful absorption of someone solving a particularly excellent crossword puzzle. The drawings included the offensive sets of some of his biggest rivals — Jerry Sloan’s Jazz, Rick Adelman’s Kings, Mike D’Antoni’s Suns — as well as such novelties as the Horst Pinholster Pinwheel Offense, an elegant but obscure remnant of the 1950s in which everyone without the ball is sucked into a continuous vortex of motion.
Jackson taught me how to get Shaquille O’Neal open in the post when the defense wants to double-team him. He drew Michael Jordan’s final two plays against the Jazz in 1998, including the iconic jump shot that won the Bulls their sixth trophy. In response to a sloppy playoff game he saw on TV the night before, Jackson showed me how to eliminate the possibility of a turnover on an inbounds pass.