TheGeneral99 wrote:With debates over who deserves to make the hall of fame, I think a thread is worthy of what the Hall of Fame standards actually are based on actual history. I understand people say that the bar is very low, and the basketball bar is lower than other sports, but let's actually see what the benchmark really is.
Generally, it is well regarded that the weakest NBA players to make the HOF in the modern era (since 1980) are Mitch Richmond and Mo Cheeks. So let's actually look at their accolades as a benchmark.
Richmond - 6x all-star, 3x all-NBA 2nd team, 2x all-NBA 3rd team, won ROY, part of the 1996 Olympic gold medal team, scored over 20,000 points (53rd all-time in points)
Cheeks - 4x all-star, 4x all-NBA defensive first team, NBA champion, 7th all-time in steals (considered one of the best defenders of his era).
Remember, some great players like Amare, Kemp, Kevin Johnson, Laimbeer, Sheed etc. have not made the hall of fame yet despite being retired for a while.
So when making threads about who deserves to get in the HOF, let's actually look at the historical standards.
Based on the above, which current players that are not retired should make it?
This is me being a broken record so apologies to all who are tired of hearing me:
People need to remember that halls of fame are not inherently about competitive greatness, let alone granular achievement within a single competitive league. The Hall of Fame that popularized the concept in the US is
Hall of Fame for Great Americans, whose first bust for the enshrined was
Horace Mann who, just to save folks the click, wasn't in there for playing, coaching, or contributing to a sport.
So what we always have to keep in mind is that the unifying theme behind halls of fame is storytelling. For every inductee, there's a human story at the heart of it.
I emphasize this to sports fans, because I think at least American sports fans tend to be shaped in thought by the National Baseball Hall of Fame (of Cooperstown, NY), which ended up fixating on granular little milestones (like 3000 hits) and introducing persnickety little unofficial rules (don't vote for a guy on the first ballot unless he's perfect) that obviously weren't a part of non-sports Halls.
While we can disagree on whether the baseball Hall's voters (Baseball Writers' Association of America, or BBWAA) have a good approach or not, but what I think we all need to understand is that the Naismith Basketball Hall of Fame (of Springfield, MA) has a very different relationship to the NBA compared to what the Cooperstown hall does to the MLB.
While the Cooperstown hall came before the Naismith, Cooperstown came decades after the NL & AL joined together into the MLB to dominate the game from the top, whereas Naismith was founded at a time when the NBA was still getting its sea legs.
This means that Cooperstown was in many ways built to honor the MLB above all, whereas Naismith was built to speak to the global embrace of the game Naismith launched out of Springfield.
It also means that focusing on granular achievement has always been less of a focus for Naismith than for Cooperstown. Where BBWAA got into habit of agreeing to benchmarks as you describe, and then just writing whatever human story happen to be attached to the bat that hit the ball, I'd say the Naismith has kept a focus much more on storytelling in service of the game as a popular success.
So for example, as strange as it sounds, I'm pretty confident that Naismith voters actually thought about the whole "Run TMC" thing when they voted in all 3 guys (Tim Hardaway, Mitch Richmond, Chris Mullin). If you go to the Hall's online entry for Richmond, for example, you'll see the first sentence is:
A member of the famous "Run TMC".
Let me say here, as someone who likes to think he has a handle on how Naismith voters tend to focus on narrative, even I was surprised how much focus was given to that particular narrative because the "Run TMC" nickname only came about during the '90-91 season, and Richmond was traded that off-season. The trio only ever played 2 years together, and peaked as a 44 win team that managed to get to the 2nd round.
So, what exactly was Run TMC famous for? The basketball answer would point to the run & gun style of play coach/GM Don Nelson had them play, but honestly, I think it was mostly just about people liking the Run TMC name a lot more than Nelson seemed to believe in their ability to win basketball games. The fact that it was based on hip hop group Run DMC did a lot of the work there up front, and the fact that 'Run' was so on the nose for how the trio played allowed it to stick in people's minds.
Given this, I don't actually think it's wrong to say that the Naismith has gotten a little wacky about the narrative hunting - Run TMC is more of a marketing term than an story, do we really need to canonize that? - and it's quite reasonable to wish the Naismith did things differently, but it does mean that seeking to identify the Benchmark is a fool's errand. There's nothing there to find.